The Bower of Pan

Richard Westall 1765 - 1836

Summary

A mythological scene of Pan. Three semi-nude women and a cherub sit in a woodland glade, with a pool visible through the trees to left, partially obscured by a red drape pulled aside in top left corner. To the right, Pan sits playing his pipes for one of the women who is lying on white drapery, holding flowers behind her head, with sheer fabric draped over her left leg. The two other females sit behind her to left, listening to Pan. The cherub/nude child lies on the ground to far left, playing with a leafy twig.

Display Label

Grand Tour and Grand Style The Influence of Travel Improvements in European travel during the 1700s had a wide-ranging impact on British culture. A particularly significant influence was the Grand Tour, which became almost obligatory for young gentlemen. Grand Tourists were led across Europe by tutors to study art, history and politics for two or three years. The Grand Tour focused on Italy, particularly Rome, and often incorporated new archaeological sites such as those at Herculaneum and Pompei, near Naples. Ancient antiquities were heavily trafficked across Europe and continental works of art flooded into Britain. A period of especially active collecting took place between the end of the Seven Years War in 1763 and the rise of Napoleon in the 1790s. As more artists and designers also visited the continent their work became increasingly informed by travel. The serious themes of classical antiquity and European art led to a new departure in painting called the Grand Style. This championed classical, historical or literary subjects, and inspired radical changes in portraiture and landscape. Widespread interest in Greek and Roman remains also fostered fresh interpretations of ancient designs by pioneers of decorative art such as Josiah Wedgwood.